THE WEB JOURNAL OF JOHN RAY

PICCA Fest – Industry Talks

Posted in Comics, Events, Podcasts, Seminars by J.R. Bumanglag on October 19, 2009

I have this thing for seminars and workshops, especially if they’re for free. Learning something new from writers, artists and industry professionals has been my pet-peeve, a quality I hope to continue living with. To get my learning fix for the month, I attended a PICCA event called Industry Talks held SM Megamall Powerbooks on October 15. The first part was helmed by Gerry Alanguilan, Gilbert Monsanto and Guia Yonzon about the trials and tribulations in comics publishing. The last part was editorial cartooning in Sydney and Singapore covered by Den Coy Miel and Edd Aragon.

Guia Yonzon, Edd Aragon, Den Coy Miel, Gilbert Monsanto and Gerry Alanguilan

At about lunch time, I headed to SM Megamall. The Powerbooks staff was already preparing the area where the seminar was to be held. In the distance, I could already recognize Gerry, his wife, and Gilbert talking among themselves. Curiously, there weren’t any attendees yet. I roamed around the store to browse on some novels and miscellaneous books. It was about 1:30 already and I proceeded to cosy myself to a seat close to the stage. I nodded and smiled at Gerry when he saw me taking a seat. Though we weren’t acquainted, he has such a good guy demeanour. I was getting a little worried because apart from me, only two other guys were filling the chairs. But that didn’t last long as other attendees were arriving and the talk began.

Guia Yonzon, Edd Aragon, Den Coy Miel, Gilbert Monsanto and Gerry Alanguilan 2

In Comics Publishing, Gerry Alanguilan, Gilbert Monsanto and Guia Yonzon spoke about their initial experiences in getting their books to see the light of day. Gerry gave a brief recap of the history of Philippine comics, his forays into self-publishing and the making of Komikero Publishing. Gilbert Monsanto shared how he juggles his different projects, why he doesn’t stop making comics and problems in self-publishing. Guia Yonzon talked about the comics revival of Darna and Lastikman, dilemmas in distribution, production costs and monetary support, and her desire for comics to return as a legitimate medium in today’s modern Filipino society. In Editorial Cartooning in Sydney and Singapore, Edd Aragon and Den Con Miel described their lives as cartoonists in foreign publications and how they reflect the Filipino culture in their strips.

One evident characteristic about the speakers this time was their passion for comics and cartooning. They all shared a desire to raise these mediums as valid forms of art and literature. I really enjoyed this seminar as I was again opened to new possibilities. It’s a great feeling to know that there are people that share my desire for comics. Also, I saw John A. Lent, a prominent figure in the study of the comics industry in Asia. He looks like Santa Claus. Haha!

As planned, I recorded the event and here it is for your listening pleasure. Note! The discussions are mostly bilingual – Taglish.

Runtime is 2 hours and 27 minutes.

Download from Mediafire.

Listen online at my Multiply.

Song snippets from Asian Kung Fu Generation’s “Blue Train” and Bamboo’s “Masaya.”

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Creating Comics 101 at MCC

Posted in Comics, Events, Seminars, Workshops by J.R. Bumanglag on August 21, 2009

MCC_Presents__Comic_Creation_by_manilacomic_con

Excited as I was the night before August 9, I couldn’t help but wonder what awaited us in the Comic Creation 101 at the second day of the Metro Comic Con. I woke up as early as I could that Sunday morning and wasted no time preparing my things. I left the house at about 9am, after a teasingly weird episode of Beauty and the Geek. On the road, my mind was set to learn more of the medium I love the most – comics! Breakfast at Jolibee was the only fuel I needed to jumpstart my day. I was giddy-silly, albeit restless to attend a comics-related seminar. The past seminars by Glass House Graphics, unfortunately, were not on top of my list back then. But now’s not the time to waste opportunity. Once the gates opened, it was only a few steps towards the Conference Hall where the seminar was to be held. I passed by the Megatrade Hall where the Metro Comic Con was also preparing to begin their second day.

I was one of the first to enter the conference hall. Some of the organizers I saw way back at the Road to MCC UP leg were setting up already. One of them recognized me and asked if I was the one who posted the podcast. She was wondering why I didn’t attend their leg at CSB-SDA. Regrettably, I was not informed about that. The hall itself was very welcoming, conducive to learning. A few minutes later, Gerry Alanguilan arrived with his trademark clothes – clothes that he always wears whenever I see him in-person. Carlo Pagulayan followed and the moderator decided to begin the seminar.

Gerry Alanguilan

Gerry Alanguilan is a comic book artist, writer and publisher and known for his inking work on Wolverine, X-Men, X-Force, Superman, Batman, Fantastic Force, Iron Man, Wetworks, Grifter, High Roads and Silent Dragon. Locally, he has illustrated his own comics such as Wasted, Humanis Rex, ELMER, Timawa, Crest Hut Butt Shop and Johnny Balbona . I’ve been a fan of Gerry ever since I found his Komikero Komiks Blog and Philippine Online Komiks Museum. For one man to give so much effort into the local comics scene is a sight to behold.

Gerry began the seminar with a discussion about story and idea creation. He describes himself as a good observer, ever so curious about his surroundings. He takes not the importance of two words – WHAT IF – as the beginning of any story. For his work on ELMER, he started off thinking “WHAT IF CHICKENS COULD TALK?” and continued from there. He suggests that having a BLACK BOOK OF IDEAS a must for creators in order to formally collect every idea that he may think of. A small notepad can be of great help to write down the fleeting ideas we get from everyday life.

In a question and answer portion, I managed to ask his opinions about the local writers and their stories being released in the mainstream and independent comics scene. He said that most of the local comics are still very young, amateur and really needs a lot of work. But he can’t blame them for this because most of them make comics as a hobby. He also noticed that there are more Filipino artists than writers, to which I also agreed. His next work will be a take on our national hero, The Marvelous Adventures of Dr. Jose Rizal and inking Leinil Yu on Ultimate Comics Avengers.

Carlo Pagulayan

The next speaker was Carlo Pagulayan. He is a penciler working for Glass House Graphics. He began his career through Dark Horse Comics, illustrating the World Trade Center Twin Towers Tribute Book written by Doug Petrie. Since then, he has done sequentials for Marvel’s Elektra, Emma Frost and Planet Hulk. He is currently working on Agents of Atlas.

Carlo Pagulayan

For his part of the seminar, he explained the ins and outs of anatomy. He described the perfect proportions of the male and female human body, how to draw them and how to move them. Referencing books by Andrew Loomis and Burne Hogarth, he was able to perform a live sketch session on how he envisions the human anatomy. He also exclaims that once you master it, it will follow through with character designs. Fineart.sk, Terragen and Curious Lab’s Poser were some of the resources he gave to us as reference materials in our artistic endeavours. But he advised us that we should not rely on these programs too much as it will deaden our artistic vision. He tells us to only use them in the direst of needs, especially on deadlines.

Harvey Tolibao

The next artist in-line was the ever-so-humorous Harvey Tolibao. Like Carlo, Harvey works for Glass House Graphics. He has made sequentials for Marvel’s Avengers: The Initiative and Dark Horse’s Star Wars: Kotor. He is also known for his Bumblebee Pinup that made waves in the interwebs for the sheer details and draftmanship of the artwork. He is set to illustrate Psylocke for Marvel Comics so watch out for that.

Harvey Tolibao

As great as an artist Harvey is, he is also a great speaker. Using is down-to-earth humor, he explained the intricacies of comic book story-telling and why it is more important that being able to draw well. He is also a paper junkie and a sketch addict. In his free time, in travels or whatnot, he finds time to draw even in the harshest of conditions. He is as resourceful as he is uncanny, taking any kind of paper and drawing on it anytime, anywhere. In his latest sequential work, he describes his work from the time he first reads the script to finally setting down the pencils. As he reads the script, he envisions the scene in every conceivable angle, mood of setting and pose of character. He then creates thumbnails of the best depictions he could think of and sends it to his editors for approval. After the go signal, he searched for references in movies, internet and books to give life to the panel. He justifies this use of reference, quoting his father that in today’s age, nothing is original – only God can create the original.

Edgar Tadeo

Next up was Edgar Tadeo, a comic book inker and sometime colorist. Like Gerry Alanguilan, Leinil Yu, Gilbert Monsanto and Philip Tan, he came from Whilce Portacio’s school for comic book art. He has worked on X-Men Legacy, Silver Surfer and District X.

For his part of the seminar, he listed down the best materials for inking, why and how to use them and what an inker must have in mind when doing his job.  He listed down the tools of the trade – crowquills, templates, inks, brushes and more – each requiring a decent amount of getting used to. He also noted that inkers have distinct styles – dominant and transparent inking. An inker is also the final step (or semi-final if there is a colorist) to reaching the light of the comic book vision. If need be, he corrects some mistakes of the penciler like incorrect anatomy and such. Way back then, Edgar used to correct Whilce’s hands because the latter admittedly had a weakness drawing them. Although Edgar confessed that he came unprepared, I still learned a lot about inking.

Jay David Ramos

Last in the list was Jay David Ramos. Jay is also a workhorse from Glass House Graphics and has graced his colors in Ultimate X-Men, Iron Man and War Machine. He is also a long-time collaborator of Harvey Tolibao. For his part of the bargain, he described coloring as more than the reds, blues and yellows. It entails an enormous amount of speed and patience because on average, a colorist should at least submit 6 pages a day. Now even for a guy like me, that’s freakingly fast. A colorist should also have vast knowledge of the color theory, color wheel, complimentary, supplementary and a knack for deadlines. He is proud to say that he has never missed a deadline. Ever. As a treat, he did a coloring demo using a panel from Harvey Tolibao’s Avengers. He gave some quick tips on how to color, shortcuts and all. For a photoshop that didn’t have his brushes, he did great work.

All in all, the seminar was a blast! I left very inspired and satisfied. I do wish though that there were more seminars like this. Also, an in-depth seminar for comic book writing would really make my day. But I’m going to have to do the best with what I have.

The Road to MCC School Tour: University of Santo Tomas

Posted in Comics, Events, Podcasts, Seminars by J.R. Bumanglag on July 26, 2009

It was on a Wednesday afternoon, July 22 that I attended the next leg of the Road to MCC at the University of Santo Tomas. I came in just a bit tad late because of other responsibilities but I did manage to record most of it. The panelists for this leg were Heubert Michael, Yuri Timg and Wilson Tortosa and hosted by Ernest Hernandez. It was at this time that the once Manila Comic Con was renamed Metro Comic Con instead. I do not know exactly why but it still stands the same.

MCC

Just like last time, the talk was mostly in Taglish. Another big thanks to the organizers of the Metro Comic Con and the UST College of Fine Arts and Design. Listen well and listen good!

Runtime is 42 minutes.

Download from Mediafire.

Listen online at my Multiply.

Song snippet’s from Bamboo’s “Masaya” and Rivermaya’s “Alab ng Puso.”

Heubert Michael in Deviantart.

Wilson Tortosa in Deviantart and Glass House Graphics.

Yuri Timg in Suspended Animation Media.

Metro Comic Con in Deviantart.

The Road to MCC School Tour: UP Diliman

Posted in Animation, Comics, Podcasts, Seminars by J.R. Bumanglag on July 14, 2009

I never thought it could happen…but it did! After months of listening to comics podcasts day in and day out, I finally decided to record a podcast of my own – not entirely mine though. It was on a gloomy Saturday afternoon at UP Diliman that the first leg of The Road to Manila Comic Con began. With my girlfriend-sidekick Joy accompanying me to the seminar, I made up my mind to record the event. There’s one thing I learned from attending these kinds of seminars, talks and discussions catered for aspiring artists and writers – once it’s announced, you wouldn’t want to miss it for the world. Unfortunately, not a lot people can attend due to time constraints, conflicting schedules or just plain bad luck. Luckily, this podcast is willing to step in to that void. I know the feeling of missing out on the opportunity to learn more from professionals who have made a mark in the industry. It’s not every day that they have time to share their experiences, advices and critics to those who are willing to listen.

MCC1

Hosting the seminar was (far left) MCC Orgnizer Ernest Hernandez. The featured panelists were comic book professionals (from left to right) Harvey Tolibao, Jay David Ramos, Heubert Michael, Carlo Pagulayan, Ernest Jocson and guests from Suspended Animation Media Abet Ongkingco, Yuri Timg and (not pictured) Vishnu Chua.

MCC2

Note! The discussions are mostly bilingual – Taglish if you may. Audio quality is a bit rough, but I was able to clean it for increased clarity. A big round of thanks to the organizers of the upcoming Manila Comic Con, Lunarock and the UP Diliman College of Fine Arts for making this event possible.

Runtime is 2 hours and 32 minutes.

Download from Mediafire and Rapidshare.

Listen online at my Multiply.

Song snippets from FrancisM’s “Three Stars and a Sun” and Bamboo’s “Masaya.”

***

If you want to know more about the panelists, here are some of their personal websites:

Harvey Tolibao in Deviantart and Glass House Graphics.

Jay David Ramos in Deviantart and Glass House Graphics.

Carlo Pagulayan in Deviantart and Glass House Graphics.

Heubert Michael in Deviantart.

Ernest Jocson in Deviantart and Glass House Graphics.

Yuri Timg, Abet Ongkingco and Vishnu Chua in Suspended Animation Media.

UP LUNAROCK (League of University Artists on Cartoons and Komiks) in Deviantart.

Manila Comic Con in Deviantart.

Road to MCC: UP Diliman

Posted in Comics, Events, Seminars by J.R. Bumanglag on July 5, 2009

Road to MCC

From Carlo Pagulayan’s Multiply. I’m so excited for this year’s biggest local comics convention and I’m definitely attending. I don’t want to miss out on a possibly annual comics event. I’m expecting it to be a hit to comic and non-comic fans. See you there!

Art Talk with Alex Niño and Hans Bacher

Posted in Comics, History, Movies, Photography, Seminars by J.R. Bumanglag on February 19, 2009

Check out more photos here!

It was a once in a lifetime chance and I just couldn’t let this moment pass. It was yesterday morning, when after I had arrived home from jogging, that I saw the date and long pondered what special event was supposed to take place. And then it just crashed over my head. This was the day of the Art Talk by Alex Niño and Hans Bacher at the College of St. Benilde SDA campus. I had to decide whether to go or not. Surely enough, I decided to go, since I had nothing better to do (except drawing practice of course).

I have long admired Alex Niño’s work, ever since I first saw his illustrations in the Philippine Comics Museum years ago. There have been no other artist like him, no art style would compare to his kind of vision. His art style completely changed my outlook as an artist, deftly picking off the kind of the one-sightedness in art that I once had. The principle in which he viewed art as a continuous change, an evolving organism, challenged the then standard mainstays of Alcala and Redondo. This time, I was going to see the living legend myself.

I left the house at about 4 pm, since the talk was going to begin at 5 pm. Luckily for me, it was only a 30 minute LRT ride to Vito Cruz, so I had ample time to get there. I also jumped at the chance of finally checking out the College of St. Benilde School of Design and Arts. It was sort of an opportunity to explore the high tech facilities they had for art students. So I arrived and was simply amused of the atmosphere in SDA. It was definitely a portal to another world, compared to Beato Angelico.

Alex and Hans

I entered the SDA Cinema and there he was, Alex Niño, seated beside Hans Bacher – who I had little knowledge about, but I would be interested later on. As I was waiting for the seminar to start, the hosts of the program invited the early birds to take autographs and sketches from the guests. Too bad for me though, I was too excited that I forgot to bring any pens or papers (which I really regret). Instead, I contented myself by observing how Alex drew. And he drew a lot of sketches, at least 10 before the talk began.

Alex Nino

The talk began as Alex and Hans introduced themselves. Hans Bacher is a production designer in the animation industry. He had met Alex in 1996, during the production of Mulan. Taking Alex in as a conceptual artist, along with another French artist (I think), this would culminate into collaboration for other various animation films. During this time, there was a presentation of conceptual artwork by Alex for Mulan in the background (of which I was definitely enjoying). You can check them out here and here (I wish I could post them here, but I can’t – copyright). Mang Alex also worked on Atlantis, Treasure Planet and The Emperor’s New Groove.

Sketch

Mang Alex, before he accepted the job at Disney, requested that he worked at 3am onwards. It was interesting and very relating actually, to know that he wanted to work alone, without distraction in the wee hours of the day. Hans would describe this as amazing because it only took him 9 hours to draw a conceptual board the size of about 2 x 3 feet. And that’s a feat! He would see Mang Alex start at the upper left corner of the board and arrive hours later, catch him finishing the piece at the bottom right corner.

Fans

Mang Alex also described his influences as an artist during the 60’s and 70’s. One of the most memorable moments he reminisced was him drawing on beach sand when he was 7 years old. He had grown up admiring Francisco Coching, Alfredo Alcala and Nestor Redondo. Wanting a piece of the action, he nurtured his art skills, dropping out of pre-med in FEU and pursuing a career in art. Accepting the fact that he couldn’t possibly reach the level of his influences, he created his own style, a whole new level.

Alex B/W

There was break, another sketch session and we moved on to the question and answer portion. I was jittery, trying to catch the write words. It was at this time that my heart beat rose significantly and I thought I was going to die. The first question I threw was about how Mang Alex dealt with rejection during his time showing his work to different editors. It was all about a challenge to him, a motivational factor which he used to drive him further as an artist. The second was about their artworks and projects, if we could see them somewhere online. Mang Alex had none, aside from some collections of his artwork by other artists. But he did give his email address. Thank you po!

It was at this time that the show was almost over. The last line of sketches was slowly cutting itself off. It was at this time that I noticed that Carlo Pagulayan was also there, along with his colleagues (of which would compose of the organizers of Komikon). I overheard some of them, talking about the Komikon, that it was to be held at SM Megamall. There were also urging Mang Alex to exhibit his works and have a grand reunion of his generation of Filipino artists. Mang Alex also brought samples of his artwork, a 14 page spread of his current project Dead Ahead. Yes, you didn’t read it wrong, FOURTEEN PAGE SPREAD! All of us were astounded to the level of composition and rendition that he gave to that work.

Alex and Carlo

Alex Nino and Carlo Pagulayan

All in all, it was a great experience having attended the seminar. I learned a lot of new things. I’m thankful that Liraya of CSB-SDA organized this event. I have no regrets now that I chose to go.

Check out more photos here!